We Summon the Darkness (2019)

Director: Marc Meyers
Writer: Alan Trezza

This had potential, and I wanted to like it, but like so many other bad horror films, so much of it was stupid. The setup was clumsy and heavy-handed, so when the twist comes, you realize it’s not that much of a twist since you’ve known it for the last 20 minutes. The ending felt rushed and out of place with the rest of the film. And I expected more from actors who’ve been around the block a little (Alexandra Daddario, Johnny Knoxville, Maddie Hasson). I thought some of the lesser-knowns, such as Keean Johnson, did a better job.

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Harpoon (2019)

Writer: Rob Grant, Mike Kovac
Director: Rob Grant

Harpoon is one of those films that should have been a B-movie, but through some impressive performances and competent, if overly stylistic directing, it ends up becoming a combination thriller/dark comedy that is greater than the sum of its parts.

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Countdown (2019)

Director: Justin Dec

Writer: Justin Dec

Have you ever filled out one of those online quizzes which asks you about your age and weight and health and then purports to tell you, based on said information, how long you’re going to live? What if you download an app, and without giving it any personal details, it gave you the same information, but rather than just a statistical guess, it was an absolute certainty? That’s the premise of Countdown, a slightly better than average horror film that works because of some better than average direction.

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One Cut of the Dead (2017)

Director: Shin’ichirô Ueda

If you stop watching this sometime within the first half hour, you will likely curse me and never trust one of my reviews again. And I probably wouldn’t blame you. But if you stick with this film until the end, you might be pleasantly surprised.

One Cut of the Dead opens with a 37-minute long unbroken take depicting a Japanese film crew shooting a low-budget zombie film in an abandoned WWII facility. Little do they know that there are real zombies lurching about! The director, who is happy to now see real fear on the faces of his actors, orders the cameras to keep rolling, despite the impending demise of his cast and crew. As you watch, it’s clear that it doesn’t seem to be a very good movie. But surprise—it’s not supposed to!

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The Wind (2018)

Director: Emma Tammi

One key to creating a good horror film is isolation. Characters are almost always isolated physically (John Carpenter’s The Thing, Alien), culturally (Hostel), or both (An American Werewolf in London). Emma Tammi’s new film The Wind creates isolation through the setting of the Old West, where your nearest neighbors are often a mile or more away, and there are no cell phones with which to call 911. Reminiscent of recent slow-burn thriller/horror films, such as The Witch and Hereditary, this film, unlike this year’s Midsommar, immediately lets us know that something is off. The film opens with what appears to be a bloody childbirth, an event not unusual for a home birth in the Old West. But all is not what it seems…

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Dead Body (2017)

A bunch of recent high school grads get together for an outing in a cabin in the woods. Later that evening, someone suggests the game “Dead Body,” a party game where one player is assigned to be the murderer, and one the first victim. The rest of the players have to figure out who the killer is before they become victims themselves. You can guess what happens next. Wait! Let me try that again in my horror trailer voice-over voice: “The kids decide to play ‘Dead Body,’ but what they don’t know is that someone’s already playing it…for real!”

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Ghost Stories (2017)

“The mind sees what it wants to see.”

So says a character in Ghost Stories, an anthology piece that is, at times, frightening, disorienting, funny,and sad. Unlike many other horror anthology films, however, this one benefits from a setup that does more than serve as an introduction to the individual stories. Andy Nyman plays Professor Goodman, who has devoted his life to debunking psychics and mediums who prey on the bereaved. One day he gets an audiotape from someone who claims to be Goodman’s idol, another famous skeptic. The only problem is, everyone believes he’s long dead. Regardless, Goodman agrees to a meeting, where he is handed three case files in an envelope marked “explain these.” It’s no surprise that those cases are the three vignettes of the film,but it’s the Goodman story that not only ties the tales together but serves as a marker of Goodman’s increasingly shaky faith in his convictions.

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Thale (2012)

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(Originally from Facebook – August 15, 2013)

So I go from one low-budget film (Bath Salt Zombies) to another (Thale). This one, however, did not disappoint. This little film out of Norway is steeped in Norwegian folklore, much like the great Troll Hunter. It doesn’t quite rise to the level of that film, but I thought it was very well done. Continue reading

The Conjuring (2013)

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(Originally from Facebook – August 8, 2013)

As I said to a friend recently, “The Conjuring was so creepy, I nearly conjured a load in my shorts.” I was kidding, but only just. Horror is one of those genres in which there’s such a glut of options that most of them are bound to suck. This isn’t one of them. James Wan keeps proving that he knows how to create films that scare us. I feel like he’s moved away from the sheer gore of his Saw series (which frankly became cartoonish after a while), and found a much deeper creepy. His previous film Insidious was more frightening, I think (although not by much), but this one is more mature, and doesn’t have the third act issues that the former had. Continue reading