I’m sure that the makers of this film really wanted to make the best film that they could. But they really ought to be ashamed for asking people to pay money to see this. It feels like a student film, and not really from a good student, either. IMDB gets this one right at 2.2. (running time 1:25)
Month: February 2017
La La Land (2016)

This film makes me really miss Debbie Reynolds. Damien Chazelle (Whiplash) functions here like Tarantino—patching together scenes and nods to the great films of the genre, hoping that those who aren’t familiar with them will find them fresh and charming, and those who are familiar will revel in the nostalgia. Unfortunately, it ends up feeling like a pastiche of clichés. I found it to be nearly devoid of charm, with the exception of two numbers—the couple’s first dance together, and Stone’s audition song. Continue reading
Christine (2016):

Unfortunately, the best performance by an actress in a motion picture this year probably won’t get the Academy Award. It probably won’t be nominated, even. Hell, you likely won’t even see it, unless you take my advice and seek out Rebecca Hall’s performance as tragic news reporter Christine Chubbuck in 2016’s Christine. The film itself is well made, if low-budget, but what elevates it above the crowd is Hall. She is magnificent, giving as strong a portrayal of depression as I’ve seen, in that it doesn’t play into convenient scenes and stereotypes; the illness insinuates itself into every scene, every aspect of her life, from dealing with her mother, whom she lives with, to obsessively analyzing a video of herself, and wondering if she nods too much. Even her gait makes her seem that she’s uncomfortable in her own skin. It’s a heartbreaking portrayal, and often difficult to watch. Continue reading
Apologies!
I know it’s been a while since I’ve posted, but there should be a few coming soon, as well as my “best of” list from last year. I had a number of films I wanted to see that I thought would be contenders, and was loath to put the list together without seeing them.