
How DO you solve a problem like Maria? If you’re Austria, you do it in court. This is a movie that shouldn’t work. It’s overly sentimental, it doesn’t quite seem to know what kind of film it wants to be, and we essentially know from the beginning of the film how it will end. And yet I found myself completely engrossed and often moved by it. The story itself is fascinating—Maria Altman was a young Jewish woman when she fled from Nazi Germany to the U.S., leaving behind her family’s fortune, including a Stradivarian cello, and—more importantly—a painting of her aunt by the artist Gustav Klimt. The painting was stolen by the Nazis, and eventually became known as “Woman in Gold,” since they whitewashed all hint of Aunt Adele’s Jewish background. Continue reading







